Built by a Designer Who Was Tired of the Same Broken Process

A woman and a man sitting on a bench in front of a plain backdrop. The woman has shoulder-length dark hair, is wearing a black blouse with lace details, and dark wide-leg jeans. The man has glasses, short dark hair, a beard, and is wearing a short-sleeve blue shirt and gray pants. They are both smiling.

GetSet wasn't built by a tech company looking at the industry from the outside. It was built by Emma Magidson, a shopper turned production designer who knows this work inside and out. The late-night sourcing sessions, the frantic availability calls, the screenshots-pasted-into-slides decks, the pickup lists cobbled together after midnight.

After years using the same painful process on every project, the question became obvious: why doesn't a real tool exist for this?

So we built one.

GetSet is designed around how set decorators, prop masters, and production designers actually work. Every feature — from multi-vendor search to one-click availability requests to instant deck exports — exists because someone on a real production needed it.

That's why the platform feels perfect for how art departments function. It was designed by someone who knows the work inside and out and knows what tools we need to do our best work.

We're not building software for this industry from the outside looking in. We're on the ground, doing the work, creating what this industry is asking for.

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